Gil Melle-Tome VI (the Jazz Electronauts)-1968,

Gil Melle, somewhat unjustly remembered almost exclusively for creating the unique very effective Musique Concrete score to the Classic 1966 Science Fiction Film 'the Andromeda Strain"
also Happened to be one the most adventurous and varied composer band leaders of the 50's and 60's , roughly working in the same territory as better known Contemporary Counterparts
such as, Jimmy Guiffre, George Russell, Duane Tatro,Teddy Charles and others.. introducing textural, and Harmonic elements and Complex arrangments previously foreign to Jazz language.

Quite apart from his innovative musical achievements, he was also  a painter, sculptor , graphic designer and instrument maker(the Tome VI being a primitive mini synth of his creation) who from the late 40's on created some of the most distinctive inventive record covers in History , Often Starkly Abstract they go a long way to making the records special, and in the case of his classic Monk covers for Prestige, or his own early Blue Note releases vividly underscoring ,almost embodying the mysterious 'ultra modernist' contents within..

like a lot of mostly white middle class educated Jazz musicians in the early Sixties Melle stopped making Records ,and opted for more lucrative studio and Film work ,largely as a Composer.

This record, made 18 months or so after the Andromeda strain ,is the first jazz record to incorporate,an electro acoustic element, with additional live processing by all the musicians as they improvise, a practice which is now common place among European, and American free improvising musicians,notably Evan Parker, Barry Guy , Acid Birds and Many others.

Musically its an effective fusion of Modal to free jazz,with some modest modish psych rock elements, quite good overall if not quite as fresh and urgent as his peak output from the 50's..(some of which is currently available on CD)

This was reissued on CD (2007) in Japan in limited edition, but alas has long since disappeared...

another  of his records in this vein from a few years later in 1970-1, 'waterbirds' never to my knowledge reissued can be found as MP3'S by googling.


Tome-VI- 1968, the Jazz Electronauts-Verve Lp V68744
Gil Melle-Soprano Saxophone, Effects Generator,Composer
Forrest Westbrook-Piano, and Electar
Benfaral Mathews-bass , cello,and envalope
Fred C.Stofflet-Percussion, Electric cymbal,

From the Liner notes (Regarding the Electronic instruments used)
the Electar
"theoretically the operation of this instrument, approximates the fundamentals of stringed instrument playing,in that conditions are employed by the player through controls,to determine, pitch,decay and amplitude."
the Envelope
'tones heard through this instrument,are not electronically generated but are conventionally produced mutations, it is used in conjunction with bass and Cello,the overall effect being rhythmic"
Doomsday Machine
'Best described as a lower register Electronic Cymbal'
Tome Vi
"Transistorized oscillator/Modulator envelope, a hybrid instrument consisting of a subminiture system of transistorized circuitry, built into a conventional Soprano Sax"
Effects Generator
"A Console Device,capable of Producing arpeggiated passages of infinite variety and complexity,Polyrythmic patterns are also Possible"
Green Safe 1and2
"are used are used to convert,the electricity from the above sources..to mechanical Energy"

Enjoy!!
Melle-Wikipedia
Melle at IMDB
Melle on Amazon
Note although only his Prestige Sessions 'Primitive Modern","Quadrama'and the perennial "Gil s Guests" appear to be in print, there is a lot that can be purchased second hand
including some very reasonably priced , original lps of this very album!

PS..
it Seems that Zippyshare's free account Login Function is somewhat prone to Mal function , so in this instant i have uploaded as a non account holder,i can't guarantee the longevity of the upload , so feel free to create mirrors !!

Ripped from an original Stereo Copy, no Eq, Compression or other processing after the initial conversion of the Analog signal